Friday, November 16, 2012

What Happened? Roberta Flack


Roberta Flack
Roberta Flack was born on February 10, 1939 (1937 according to some sources) and was raised in Arlington, Flack first discovered the work of African American musical artists when she heard Mahalia Jackson and Sam Cooke sing in a predominantly African-American Baptist church.
When Flack was 9, she started having interest in playing the piano, and during her early teens, Flack so excelled at classical piano that Howard University awarded her a full music scholarship. By age 15, she entered Howard University, making her one of the youngest students ever to enroll there. She eventually changed her major from piano to voice, and became an assistant conductor of the university choir. Her direction of a production of Aida received a standing ovation from the Howard University faculty. Flack is a member of Delta Sigma Theta sorority and was made an honorary member of Tau Beta Sigma by the Eta Delta Chapter at Howard University for her outstanding work in promoting music education.

Roberta Flack became the first black student teacher at an all-Caucasian school near Chevy Chase, Maryland. She graduated from Howard University at 19 and began graduate studies in music, but the sudden death of her father forced her to take a job teaching music and English for $2800 a year in Farmville, North Carolina.
Roberta Flack taught school for years in Washington, DC at Browne Junior High and Rabaut Junior High. She also taught private piano lessons out of her home on Euclid St. NW. During this period, her music career began to take shape on evenings and weekends in Washington, D.C. area night spots. At the Tivoli Club, she accompanied opera singers at the piano.
During intermissions, she would sing blues, folk, and pop standards in a back room, accompanying herself on the piano. Later, she performed several nights a week at the 1520 Club, again providing her own piano accompaniment. Around this time, her voice teacher, Frederick "Wilkie" Wilkerson, told her that he saw a brighter future for her in pop music than in the classics. She modified her repertoire accordingly and her reputation spread. Subsequently, a Capitol Hill night club called Mr. Henry's built a performance area especially for her.
 Les McCann discovered Flack singing and playing jazz in a Washington nightclub.  He arranged an audition for her with Atlantic Records, during which she played 42 songs in 3 hours for producer Joel Dorn. In November 1968, she recorded 39 song demos in less than 10 hours. Three months later, Atlantic reportedly recorded Roberta's debut album, First Take, in a mere 10 hours.

Atlantic Records released First Take in 1969 to little fanfare.


Roberta Flack and Donny Hathaway's version of "You’ve Got A Friend" hit number twenty-four on the Billboard Hot 100 in 1972. It was her first song to chart. She had released three albums by this time: Frist Take, Second Chapter & Quiet Fire.
Her Atlantic recordings did not sell particularly well, until Clint Eastwood chose a song from First Take, "The First Time Ever I Saw Your Face", for the soundtrack of his directorial debut Play Misty for Me; it became the biggest hit of the year for 1972 - spending six consecutive weeks at #1 and earning Flack a million-selling gold disc. The First Take album also went to #1 and eventually sold 1.9 million copies in the United States. Eastwood, who paid $2,000 for the use of the song in the film, has remained an admirer and friend of Flack's ever since.

In 1973, “The First Time Ever I Saw Your Face” was awarded the Grammy Award for Record Of The Year.

Roberta Flack began recording regularly with Donny Hathaway, scoring hits such as the Grammy-winning "Where Is the Love" (1972). She received her second Grammy for this song and her first R&B/soul number #1.

On her own, Flack scored her second #1 hit in 1973, "Killing Me Softly with His Song" written by Charles Fox and Norman Gimbel. It was awarded both Record Of The Year and Best Pop Vocal Performance, Female at the 1974 Grammy Awards. Its parent album was Flack's biggest-selling disc, eventually earning Double Platinum certification.

In 1974 Roberta Flack scored another number one hit with “Feel Like Making Love” from the album of the same title. It became her third Record of the year nomination and her second win in that category.

1977 Roberta return with “Blue Light In The Basement”, the biggest song from the album “Closer I Get To You” scored her third R&B/soul number one single.

In 1978 Roberta Flack released her self-entitled disc.

In 1980 Roberta Flack Featuring Donny Hathaway is Roberta Flack's ninth album. It was intended as the second duets album to feature Donny Hathaway and her. Hathaway only recorded two songs ("You Are My Heaven" and "Back Together Again") for this album before his suicide. Flack finished the rest of the record on her own.

Also in 1980 Roberta flack released her first live album “Live & More with Peabo Bryson. The two disc album also featured Peabo Bryson biggest hits “Feel the Fire & Reaching For The Sky”

In 1981 Roberta Flack released a greatest hit set and the soundtrack to the movie “Busting Loose” which starred Richard Pryor.


Roberta Flack had a 1982 hit single with "Making Love", written by Burt Bacharach (the title track of the 1982 film of the same name), which reached #13 which was included on I’m The One Album.

She began working with Peabo Bryson with more limited success, charting as high as #5 on the R&B chart (plus #16 Pop and #4 Adult Contemporary) with "Tonight, I Celebrate My Love" in 1983. Her next two singles with Bryson, "You're Looking Like Love To Me" and "I Just Came Here To Dance," fared better on adult contemporary (AC) radio than on pop or R&B radio. All song from the duet album with Peabo Bryson Born To Love.
In 1983, she recorded the end music to the Dirty Harry film “Sudden Impact” at Eastwood's request.

In 1986, Flack sang the theme song entitled "Together Through the Years" for the NBC television series, Valerie later known as The Hogan Family. The song was used throughout the show's six seasons.
Oasis was released in 1988 and failed to make an impact with pop audiences, though the title track reached #1 on the R&B chart and a remix of "Uh-Uh Ooh-Ooh Look Out (Here It Comes)" topped the dance chart in 1989.
Flack found herself again in the US Top 10 with the hit song "Set the Night to Music", a 1991 duet with Jamaican vocalist Maxi Priest that peaked at #6 on the Billboard Hot 100 charts and #2 AC.
In 1999, a star with Flack's name was placed on Hollywood's Walk of Fame. That same year, she gave a concert tour in South Africa, to which the final performance was attended by President Nelson Mandela.

In 2010, she appeared on the 52nd Annual Grammy Awards, singing a duet of "Where Is The Love" with Maxwell.
In February 2012, Flack released Let it Be Roberta, an album of Beatles covers including "Hey Jude" and "Let it Be". It is her first recording in over eight years. Flack knew John Lennon and Yoko Ono, as both households moved in 1975 into the The Dakota apartment building in New York City, and had apartments across the hall from each other. Flack has stated that she has already been asked to do a second album of Beatles covers.

In the Bronx section of New York City, the Hyde Leadership Charter School's after-school music program is called "The Roberta Flack School of Music" and is in partnership with Flack, who founded the school, which provides free music education to underprivileged students.

Friday, November 09, 2012

What Happened? Hi-Five

Hi-Five
 Hi-Five
Hi-Five is an American R&B quintet based out of Waco, Texas, who had a #1 hit on Billboard's Hot 100 in the early 1990s with "I Like the Way (The Kissing Game)". Hi-Five was formed in 1990, and consisted of the late Tony Thompson, Roderick "Pooh" Clark, Marcus Sanders, Russell Neal, and Toriano Easley. Easley was later replaced by Treston Irby.

Hi-Five was originally signed to Jive Records in late 1989 and released their first album, Hi-Five, in 1990. The album went platinum and was produced by legendary producer Teddy Riley; it included such singles as "I Just Can't Handle It" (R&B #10), "I Can't Wait Another Minute" (Pop #8, R&B #1), and their biggest hit to date, "I Like the Way (The Kissing Game)", which went to number one on the U.S. Billboard Hot 100 and the U.S. Hot R&B/Hip-Hop Songs chart.
 The group was aggressively marketed by Jive and was part of the "new jack swing" sound that dominated much of the early to mid-1990s urban contemporary radio format. Hi-Five enjoyed marginal mainstream success and were essentially similar in design to R&B counterparts such as H-Town, Shai, Public Announcement, and perhaps most notably, Boyz II Men.

The groups single, "Too Young" was featured on John Singleton's Boyz n the Hood, the soundtrack from the movie.

Hi-Five's second LP, Keep It Goin' On, came out in 1992. Though not as successful as their debut effort, several tracks from this album, including "She's Playing Hard To Get" (Pop #5, R&B #2) and the R. Kelly-penned "Quality Time" (Pop #38, R&B #3) got major airplay in East Coast (US) urban markets. Shortly after this album was released, Roderick "Pooh" Clark was involved in a near-fatal automobile accident.


In 1993, Hi-Five emerged with a third album, Faithful, which featured the songs "Unconditional Love" (Pop #92, R&B #21) and "Never Should've Let You Go" (Pop #30, R&B #10).
"Unconditional Love" was also featured in the multi-platinum Menace II Society soundtrack, and received extensive airplay on urban contemporary stations throughout the summer of 1993 as the movie increased in popularity.

After Hi-Five disbanded around 1994, Thompson released a solo album, Sexsational, in 1995. He scored a minor hit with "I Wanna Love Like That."

In 2005, Thompson re-incarnated Hi-Five with four new members. Their album The Return was released in 2006 on Thompson's independent label, N'Depth.

On June 1, 2007, Thompson died with no official word released by the family of his cause of death. But the autopsy report stated that there were no illegal drugs or alcohol in his system when he passed.He was laid to rest in his hometown of Waco, Texas on June 9, 2007.

In 2011, Treston Irby released his debut solo single "Everything" under the mantle Tru$ on his independent label, Bronx Most Wanted Ent. Then in 2012, Irby, Shannon Gill and Marcus Sanders reformed Hi-Five with two new members and have released a new single called "Favorite Girl" also on the BMW label. Both singles can be found on iTunes and other digital media outlets.

Wednesday, November 07, 2012

What Happened? Brothers Johnson

The Brothers Johnson
The Brothers Johnson is a band consisting of American musicians and brothers George aka 'Lightnin' Licks' and Louis E. Johnson aka 'Thunder Thumbs'.
Guitarist/vocalist George and bassist/vocalist Louis formed the band Johnson Three Plus One with older brother Tommy, and their cousin Alex Weir, while attending school in Los Angeles, California. When they became professionals, the band backed such touring R&B acts as Bobby Womack and the Supremes. George and Louis Johnson later joined Billy Preston's band, and wrote Music in My Life and The Kids and Me for him before leaving his group in 1973.
In 1976, The Brothers covered the Beatles' song, Hey Jude, for the ephemeral musical documentary All This and World War II.
Quincy Jones hired them to play on his LP Mellow Madness, and recorded four of their songs, including Is It Love That We're Missing? and Just a Taste of Me.

After touring with various artists like Bobby Womack and Billy Preston, they were hired by Quincy Jones for a tour in Japan and produced their debut album Look Out For #1, released in March 1976 (#9 U.S.) They album spawned several hits “Get the Funk Out Ma Face” was co-written with Quincy Jones. “I’ll Be good to You”. The album reached number one on the R&B soul chart.

Their sophomore album Right On Time album was released in May 1977 and reached number 13 on the Billboard Hot 200 and number 2 on the R&B/Soul chart. They received a Grammy for their song “Q”. The song “Strawberry Letter 23” reached number 1 on the R&B/Soul chart and number 5 on the Pop chart.
Two of the duo's songs were featured on the soundtrack of the 1976 film Mother, Jugs & Speed. The instrumental track Thunder Thumbs and Lightnin' Licks refers to the brothers' nicknames.  
Blam!! came out in August 1978 and reached number 7 on the Billboard 200 and number 1 on the R&B/Soul chart. Although no single cracked the top ten.


Their popular album Light Up The Night was released in March 1980 and rose to number 5 on the Billboard 200. It became The Brothers Johnson third number 1 R&B/Soul chart topper. The Single “Stomp” landed at the top of both soul and dance charts. It was number 46 on the "Top 100 LPs of 1980" list in Rolling Stone Magazine.

The subsequent album, Winners, was self-produced by the brothers and released in July 1981, but was less successful, going only as high as number 48 on the Billboard 200.
The duo split up in 1982 resulting in brief solo careers for the brothers.


They started doing separate ventures; Louis Johnson played bass on Michael Jackson's Thriller and recorded a gospel music album in 1981 with his own group Passage, which included his then-wife Valerie Johnson and former Brothers Johnson percussionist/singer, Richard Heath.
George Johnson had ad-libbed vocals on the track "Think Back And Remember" from the Galaxian album by the Jeff Lorber Fusion, released in 1981 on Arista Records.

The brothers reunited briefly in 1984 to record an album. Produced by Leon Sylvers, the resulting LP, Out of Control did not equal their past success, but did garner them another R&B hit with "You Keep Me Coming Back."
Louis recorded a single in 1985 called "Kinky," released on Capitol Records. The track appears on his Evolution album, which was released that same year only in Europe. Louis then started to register his bass skills on video, and accomplished about 3 instructional lesson-tapes for the Starlicks video-distribution company, from which the first release was also in 1985.
George Johnson released one single in 1985, titled "Back Against The Wall," on Quincy Jones' own Qwest label. There seems to be a complete album (recorded but unreleased) from that recording session
George delivered guitar work for Steve Arrington's album Dancing In The Key Of Life (1985)
After an interim period, the duo regrouped again to record Kickin' in 1988. The album-title of the Kickin project was a collaboration with Irene Cara, who was then their neighbor. Although this album saw even more limited success, it did include the minor hit, "Kick it to the Curb."

In 1989, the band's song "Tomorrow" (originally an instrumental on the B-side of "Get The Funk Out Ma Face") was recorded with vocals sung by Tevin Campbell for Quincy Jones' Back on the Block release. This album also included Jones' hit remake of the Brothers Johnson's "I'll Be Good to You," featuring Ray Charles and Chaka Khan. Quincy Jones was working on his album Back On The Block, and decided to re-record this song with Chaka Khan. During the session, Jones' friend Ray Charles called Quincy and asked him to contribute vocals. The song was credited to "Quincy Jones featuring Ray Charles and Chaka Khan," and hit #21 in the UK and #18 in the US, where it also hit the top of the R&B charts for 2 weeks. It went on to win the 1990 Grammy Award for Best R&B Performance By A Duo Or Group With Vocal and the album Back On The Block won the 1990 Grammy for Album Of The Year.

Louis Johnson continued this initiative by starting his bass academy during the 1990s and giving workshop clinics to this day, via his own website.
Beside a brief appearance of the brothers in Japan around 1994, and George making a guest-appearance in the 1990s on a concert in Japan (including a released double-CD) of the Graham Central Station, the duo launched an expanded US tour in 2002 which got positive, wide exposure. It was visited by many fans and various artists in the entertainment business. Along with a website and discussion-forum, online visitors could share their experiences of the shows by reliving the hey-days of Funkadelala and wander through the Land of Ladies. A few years after that, a combi-release of live-CD + DVD came on the market under the name of Strawberry Letter 23: Live.

In 1995 Quincy Jones recorded another two Brothers Johnson tunes; “Is it love we’ve Missing” & “Stomp” for his critical acclaimed album Q’s Jook Joint.
Until recently, the brothers have been doing performances on their own. In 2006, Louis gave a duo-show with a drummer, on the Poetry In Motion 1 Festival, Maryland.
 In late 2007, George performed with his own band at a Detroit-Festival, including a persona called Sir Nose. George also performs these days with a special band, including Adina Howard, Cherrelle, Ray Parker Jr., and a few more artists, which is an initiative of Michael Henderson.

Friday, November 02, 2012

What Happened? Aretha Franklin



Aretha Franklin
Aretha Louise Franklin was born in Memphis, Tennessee to Barbara Siggers Franklin and Clarence LaVaughn Franklin in March 25, 1946.  Franklin's father, Clarence, otherwise known as "C. L." Franklin, was a rising itinerant preacher, who moved to Memphis from Shelby, Mississippi. Within two years after Aretha's birth, however, Franklin's father again moved, this time up north to Buffalo, New York. The initial reasoning behind Franklin's move to Buffalo was, because Franklin sought to find better opportunities and reach a bigger church audience as compared to the South.
Franklin wasn't six yet, when her father moved to and eventually settled in Detroit, where he built his own church, the New Bethel Baptist Church. Following the move, Franklin's parents separated after a contentious marriage, with Barbara Franklin settling in Buffalo, New York, where she became a nurse. . Franklin wasn't yet ten, when her mother died suddenly in Buffalo. While she and her siblings attended her funeral, it was said their father either couldn't or refuse to attend. Shortly after her mother was buried, Aretha started singing solos at her father's church.
Her father's local celebrity in Detroit helped to attract attention to Franklin's home. Franklin remembered seeing several celebrities and prominent public figures at her house. Among those, that would later influenced her music and vocal style, included gospel musicians Mahalia Jackson, Clara Ward and The Caravans founder Albertina Walker, while other musicians such as Sam Cooke and Jackie Wilson and fellow preacher Dr. Martin Luther King, Jr. also became prominent visitors. Franklin began playing the piano at a young age and knew much of how to play by ear. Franklin recalled, that when it came to musical taste, her father wasn't strict, allowing Franklin to listen to a variety of genres including blues, jazz and R&B.

By the mid-fifties, Franklin's father was recording for JVB Records, becoming one of the few preachers to record an album full of sermons, which also included musical performances by the minister along with his choir. In 1956, Franklin started bringing his daughter with him to perform on the gospel circuit. That year, Franklin's father recorded his 14-year-old daughter's gospel performances at a local church and helped Aretha Franklin reach a deal with JVB Records, where she recorded the album, Songs of Faith, and also released her first single, "Never Grow Old", which would later be reissued by Checker Records numerous times.
Aretha, by her own admission grew up fast as a child and discovered boys by the age of thirteen, getting pregnant just three months after becoming a teenager. A relationship with one boy led to the birth of her first son, Clarence, named after her father, on March 28, 1956, just three days after Aretha turned 14.
In January 1957, Franklin had another son, Edward, with another boy. Her grandmother, Rachel, raised the boys while Aretha pursued her singing career. Rachel lived in a guest house behind C.L. Franklin's LaSalle Street home. (The Franklin family moved from their home on Boston Street in Detroit's North End section to LaSalle Street during the late 1950s.)
Franklin's performances on the gospel circuit continued until she reached 17, by then Franklin had a desire to record pop music, something always frowned upon in the ministry. However, her father C. L. approved of her decision, and did the same with his eldest daughter Erma, and helped both daughters reach deals with several record labels outside of Detroit. Prior to signing her first deal, Motown CEO Berry Gordy pursued both Erma and Aretha to sign with Motown. C. L. Franklin, however, passed on the offer thinking the label was too local to promote their talents. Eventually, Aretha settled for Columbia Records.




Franklin's first Columbia single, "Today I Sung the Blues", was released in September 1960, becoming her first charted success, it eventually reached #10 on Billboard's R&B chart. Her debut album Aretha followed in January of the following year, recorded with the Ray Bryant Combo. Franklin's second single, "Operation Heartbreak", repeated the R&B chart success of Franklin's debut single, reaching #7, followed by another R&B top ten single, "Won't Be Long". Franklin's recordings were often compared to that of Dinah Washington and Billie Holiday, singers Franklin admired. Columbia CEO and founder John Hammond, upon hearing Franklin, felt she had what it took to be the next Billie Holiday and recorded Franklin strictly in jazz-influenced pop.
Later Hammond acknowledged, that he felt the label didn't understand Franklin's background in gospel music and failed to bring that aspect out in her first secular recordings. Later in 1961, Franklin had her first top 40 single on the pop chart with a ballad rendition of "Rock-A-Bye Your Baby with a Dixie Melody". While Franklin would later say she enjoyed her tenure on Columbia Records, most of the records were considered to be not artistically satisfying to Aretha's style. Franklin was placed on the list of jazz magazine Downbeat's top ten best jazz vocalists in 1961, 1962 and 1963. One of her most significant recordings during her early Columbia period was the ballad, "Skylark", recorded in 1962. The song previewed, what was to come of Franklin as parts of her gospel singing was showcased in the song.

Franklin had a third son, Ted White, Jr. (known professionally as Teddy Richards), with her manager and former family friend Ted White, Sr., born in 1964. Teddy is the musical director and guitarist of his mother's touring band. A relationship with road manager Ken Cunningham produced a fourth son, Kecalf, who was named after the first initials of their parents' names.


After a well received tribute album to Dinah Washington, Columbia Records switched paths from their early hopes of jazz stardom to more commercial pop music for Franklin as well as some blues music. The latter music showed up in Franklin's 1964 hit, "Runnin' Out of Fools". Afterwards, Franklin was given covers of Motown hits and other girl group sounding hit singles to record as well as original songs such as "One Step Ahead" and "Cry Like a Baby", which was a top 30 R&B recording and was one of the first hits written by the team of Ashford & Simpson. Following this, Franklin and Columbia opted not to renew their contract. Under the advice of her then-husband and manager, Ted White, Franklin decided to sign with top R&B label, Atlantic Records, signing with them in December 1966. Following her success with Atlantic, Columbia began reissuing Franklin's Columbia material and releasing Columbia recordings, that Franklin hadn't released before she left the label in an attempt to capitalize on her success.



After signing with Atlantic, Franklin was sent to the FAME Studios in Muscle Shoals, Alabama to record her first songs with the label alongside the respected Muscle Shoals Rhythm Section. It was in Muscle Shoals, that Franklin cut her first Atlantic recording, the blues ballad "I Never Loved a Man (The Way I Love You)". While busy recording another song at the studio, Franklin's husband and one of the musicians got into a drunken argument over Franklin, leading to the couple returning to their house in New York, where they hid for several weeks. Eventually, Franklin returned to record at New York's Atlantic Studios to finish her vocals on the song, "Do Right Woman, Do Right Man". "I Never Loved a Man" would be released in February 1967 and become Franklin's first significant hit single, reaching #9 on the pop chart and #1 on the R&B chart. The B-side, "Do Right Woman", helped Aretha's first Atlantic single to become a double-sided hit on the R&B chart, where it peaked at #37.

In April, Atlantic issued her second single, the Otis Redding song, "Respect", which was re-arranged by the song's producers Jerry Wexler and Arif Mardin and Aretha into a gospel-sounding shouter with Franklin later incorporating call and response vocals with her two sisters, Erma and Carolyn present. With Wexler's allowance, Franklin added in the ad-lib, "R-E-S-P-E-C-T, find out what it means to me, R-E-S-P-E-C-T, take care, TCB", which led to her sisters afterwards shouting out, "sock it to me" repeatedly. The song became a simultaneous #1 hit on the pop and R&B charts. "Respect" later won Franklin her first two Grammys. She eventually won eight consecutive Grammys under the Best Female R&B Vocal Performance category. The success of "I Never Loved a Man" and "Respect" helped its parent album, I Never Loved a Man the Way I Love You, to reach the top ten of the pop albums chart. Franklin's version of "Respect" later was hailed as a 1960s anthem.


During a 1967 performance in a Chicago dance, deejay Pervis Spann crowned Franklin a tiara and announced her as "Lady Soul". Further hits increased Franklin's reputation including "Think", "Ain't No Way", "(Sweet Sweet Baby) Since You've Been Gone" and "I Say a Little Prayer", the latter song boasted some of her best success worldwide, especially in the UK, where it became Aretha's biggest-charted single in the country and remains so for Franklin as a solo artist.


Franklin also proved to be successful with her albums: Lady Soul (1968) (taken from the title she was given in 1967) and Aretha Now (1968) peaked at the top ten of the American albums chart with Lady Soul boasting three top ten singles, which was then a record.



On June 28, 1968 she became the second African-American woman to appear on the cover of Time magazine.
Following a 1968 cover article in Time magazine, in which her abusive marriage and a claim, that her mother abandoned her at a young age made the article, Franklin decided to remain private, refusing to grant many interviews with media groups and in the few she gave, approached the interviewers with caution.

Franklin continued to record top 40 hits in 1969 but dealt with some personal problems, including the breakup of her acrimonious marriage to her manager Ted White, which ended that year in divorce. She returned to number-one on the R&B charts with her cover version of "Share Your Love with Me" later that year and reached the position again in early 1970 with the self-composed ballad, "Call Me", which was her first composition without posting any credit from Ted White, who allegedly bullied his way to composition credit rights for some of Franklin's compositions, much to Franklin's chagrin.



Franklin's 1970 albums, This Girl's in Love with You and Spirit in the Dark showcased the singer's artistic growth both vocally and as a composer. A cover of Ben E. King's "Don't Play That Song (You Lied)" became another top 20 hit for Franklin in the US and reached the top ten in the UK. In 1971, Franklin made history by becoming the first black performer to headline at Bill Graham's Fillmore West, where she later released a live album from the performance. Following these triumphs, Franklin was starting to be referred to as "The Queen of Soul", a title which she's kept since.
During one breakup with Ken Cunningham in 1971, Franklin, living back in northwest Detroit, had a brief liaison with Temptations star Dennis Edwards. The relationship inspired Franklin's hit, "Day Dreaming". Franklin and Edwards' romance cooled quickly but they've remained friends.
That same year, Franklin had top ten pop hits with her cover of "Spanish Harlem" and her self-penned composition, "Rock Steady", which fully embraced funk music. Franklin released her next album, Young, Gifted & Black, in early 1972, which became a critical and commercial success and boasted another top ten hit, the ballad "Day Dreaming". The album also was one of the first instances an artist had recorded a cover of an Elton John song with Franklin taking John's gospel-influenced "Border Song" song.


Later that year, Franklin recorded her second gospel album, Amazing Grace, which became the best-selling album of her career, selling over two million copies. Amazing Grace is also the best-selling gospel album of all time.
Franklin's next album, 1973's Hey Now Hey (The Other Side of the Sky), was co-produced by Franklin and Quincy Jones, and featured the hit, "Angel", which was co-composed by Carolyn Franklin. The album's experimental sound however wasn't as successful and failed to reach gold unlike Franklin's previous recordings.
Later in 1973, Franklin recorded and released the song, "Until You Come Back to Me (That's What I'm Gonna Do)", which peaked at number-one R&B and number-three pop. The album that featured the song, Let Me in Your Life, was released later that year and nearly went gold featuring her hit covers of Wilson Pickett's and Bobby Womack's "I'm in Love" and Marvin Gaye and Tammi Terrell's "Ain't Nothing Like the Real Thing" in 1974.


That album started another phase in Franklin's fashion sense as she left behind her Afrocentric-inspired wardrobe of the late 1960s and early 1970s and adapted a more glamorous style of dress. However, the "new" Aretha, that emerged during that period did little to bring back her past success as albums such as With Everything I Feel in Me and You, released in 1974 and 1975 respectively, failed to generate any hits on either the pop or R&B charts. The focus of Franklin's label Atlantic by then had shifted more to other acts such as The Spinners, Roberta Flack and Led Zeppelin and this period started her decline in her relationship with the company, particularly with Jerry Wexler.

In early 1976, her eight-year streak of winning the Best Female R&B Vocal Performance Grammy was broken by then-emerging singer Natalie Cole.


Later in 1976, Franklin returned to the top of the soul charts with "Giving Him Something He Can Feel" from the Curtis Mayfield soundtrack of the film, Sparkle. The Sparkle album became her last Atlantic album to reach gold.




However, the success wouldn't last long. Franklin's next three albums, the Lamont Dozier and Carole Bayer Sager-produced Sweet Passion (1977), the Mayfield produced Almighty Fire (1978) and the Van McCoy-produced La Diva (1979) tanked on the charts and no single released from those albums charted on the Hot 100 during this tumultuous period.
After ending her affair with Ken Cunningham after a seven-year on-again, off-again relationship, Franklin married actor Glynn Turman on April 11, 1978 at her father's New Bethel Baptist Church with her father presiding over the ceremony. Aretha became a surrogate stepmother to Turman's three children from a previous marriage.
Franklin continued performing in the US and worldwide but was now building a reputation on living comfortably off royalties so that she only performed on occasion rather than as normal procedure. Aretha would later win the masters of her post-1974 Atlantic recordings. Following the release of La Diva in 1979, Atlantic and Aretha agreed not to renew her contract.
Aretha was performing in Las Vegas on June 10, 1979, when her father was shot by attempted robbers at his LaSalle Street home in Detroit. Aretha and her family returned their father back to his home six months after the shooting left him in a coma.
In 1980, Franklin gained something of a new audience after a cameo appearance in The Blues Brothers film, where she appeared as the wife of Matt "Guitar" Murphy and engages in a brief war of words with Dan Aykroyd's and John Belushi's characters Elwood and Jake Blues, over Murphy leaving his restaurant to perform with them again, in which Franklin afterwards performed "Think".




 Afterwards, Franklin signed a contract with Clive Davis' Arista Records label. Later in 1980, she issued the Aretha album, which featured a minor hit, "United Together", which became a #3 R&B hit. The music on Aretha and its 1981 follow-up, Love All the Hurt Away (1981), furthered Franklin away from earthy soul and into a more glossier and conservative form of R&B music labeled as urban contemporary. The title track off her 1981 album produced a Top 10 R&B hit with duet vocals provided by George Benson but suffered disappointing sales.
In 1982, Franklin returned to the top of the R&B charts with the Jump to It (1982) album boasted by the success of the title track, which became her first number-one R&B single in five years. The album also became her first to go gold after her first two Arista albums had failed to reach that position.The album was produced by then R&B hitmaker Luther Vandross.
Due to their schedules, however, it wasn't long before their marriage fell apart despite living together in Franklin's mansion in Encino. In late 1982, Franklin and Turman separated after only four years.

A problem with Franklin's vocals, started to hamper her vocal cords after years of cigarette smoking. Franklin started adapting to a raspier, low tone starting with performances in 1982 and 1983. In spite of this, she remained a popular concert draw.

1983's Get It Right. was produced by Luther Vadross also however, that record failed, selling less than 200,000 copies, despite the title track becoming another number-one R&B hit for Franklin.
Due to an accident in a plane she suffered in 1983, Franklin missed schedule for performances overseas, and became very frightful of flight. She would begin travelling mostly by tour bus.
Aretha divorced Glen Turman in early 1984 after a two year separation.
Aretha’s father, C.L. Franklin died in a nursing home on July 27, 1984.

Aretha Franklin laid low for a few months before returning to the studio in her native Detroit to record her next Arista album, which was later titled, Who's Zoomin' Who? (1985). The inspiration behind the making of the album was due to Aretha listening to the radio and liking, what she heard and opted for "a younger sound".This album was produced by rising producer Narada Michael Walden. The album included dance, pop and modern rock elements and would return Franklin to the top ten of the pop charts. "Freeway of Love" became her biggest hit in years reaching #3 on the pop chart and #1 R&B while the follow-up, "Who's Zoomin' Who" reached #7 pop and #2 R&B and was co-penned by Franklin, partly because she ins, peaked at #18 on the pop charts. The videos for "Freeway of Love" and "Sisters" made Franklin popular with music video audiences.
Franklin followed up this success with the Aretha album in 1986. The album spawned another series of hits including "Jimmy Lee", a cover of the Rolling Stones hit "Jumpin' Jack Flash" and the #1 George Michael duet, "I Knew You Were Waiting for Me" later going gold. To help promote the album, Franklin filmed a Showtime concert TV special. Around this time, Franklin also contributed her voice to several TV networks including a theme song for ABC TV titled "Together" in 1986 and the hit series, "A Different World", where her rendition of the theme song remained part of the show from its second season in 1988 through its fifth season.
In 1987, Franklin recorded her first gospel album in fifteen years, One Lord, One Faith, One Baptism, in hopes of having similar success with that record as she had had with Amazing Grace. However, the album failed to find an audience.


Franklin returned to the pop charts in 1989 with the release of the Elton John duet, "Through the Storm" and the subsequent release of the album of the same name. However, the album failed to become a success and a much publicized duet with fellow label mate and chart-topping singer, Whitney Houston, titled "It Isn't, It Wasn't, It Ain't Never Gonna Be" failed to bring much notice peaking below the top 40.

Franklin's attempt at revamping her sound with new jack swing productions in the 1991 album, What You See Is What You Sweat was badly received and was another commercial failure. Following this, Franklin quit chain smoking and spent the next several years reviving parts of her vocal style.


In 1994, she contributed to the Sister Act 2: Back in the Habit soundtrack recording the dance song, "A Deeper Love", which became Franklin's biggest single in years reaching #5 in the UK. Later that year, following the release of an Arista best-of, Franklin recorded the Babyface compositions, "Honey" and "Willing to Forgive", with the latter single becoming her first top 40 single in five years.




In 1994, Aretha Franklin was one of the honorees of the Kennedy Center Honors.

Franklin later contributed vocals to the 1995 romantic comedy-drama film Waiting to Exhale soundtrack recording the song "It Hurts Like Hell" and following a couple years on the road, recorded the hit album, A Rose Is Still a Rose (1998), which success was mainly due to the success of its title track, which became her last top 40 single on the Billboard Hot 100 nearly 40 years after recording her first one. Throughout 1998

Franklin had success with TV performances including the 1998 Grammys when she performed Luciano Pavarotti's rendition of the opera ballad, "Nessun Dorma", generating a standing ovation at the end of her performance, and a show-stopping performance at VH-1's Divas Live.



In 1999, Franklin issued her autobiography, Aretha: From These Roots. Franklin would not release her next album until 2003, when she issued the album, So Damn Happy. In between then, she contributed to albums and songs by several artists including K-Ci & JoJo on a song titled "Angel", and Mary J. Blige on the song, "Don't Waste Your Time", featured on Blige's 1999 album, Mary.
Aretha's failed 2003 So Damn Happy album featured the track "Wonderful", which later garnered her another Grammy. After the release of So Damn Happy, Franklin parted ways with Arista after 23 years with the label.
In 2004, Rolling Stone ranked her ninth on their list of the 100 Greatest Artists of All Time.

In 2004, she began work on her album, A Woman Falling Out of Love, due to be the first release off her dormant Aretha's Records, in 2005. In the meantime, Arista released a duets compilation, 2007's Jewels in the Crown: All-Star Duets with the Queen, which featured another minor R&B hit (#41) with the Fantasia duet, "Put You Up on Game". That same year, Franklin issued her first Christmas album, This Christmas, Aretha, which was initially released as a Borders Group exclusive and was later issued on the DMI label. It was another commercial failure.

In 2005, she was awarded The Presidential Medal of Freedom by President George W. Bush.
On February 6, 2006, she performed, along with Aaron Neville, "The Star-Spangled Banner" at Super Bowl XL.

In 2008, she won her 18th career Grammy in the gospel category on the song "Never Break My Faith" with Mary J. Blige.
On February 14, 2008, Franklin was given the Vanguard award at the NAACP Image awards.
On September 13, 2008, Franklin was ranked No. 19 on the Billboard Hot 100 All-Time Top Artists list by Billboard.
November 2008, Franklin was named by Rolling Stone magazine as the No. 1 all-time best singer of the rock era, according to the magazine's survey of 179 musicians, producers, Rolling Stone editors, and other music industry insiders.
On January 20, 2009, Franklin performed "My Country, 'Tis of Thee" during the inauguration ceremony of Barack Obama.
The following year 2009, Franklin received an honorary music degree from Yale. By 2010, Franklin announced, that she had sold her rights to movie producers to produce a biopic on her in, which would be loosely based off Franklin's 1999 memoirs, Aretha: From These Roots. Franklin had initially planned for Halle Berry to play her in the featured role but Berry turned down her offer in January 2011. Franklin has since picked singer Audra McDonald to play her.

Before undergoing surgery for an undisclosed ailment, that halted her schedule in 2010, Franklin had begun losing weight. According to the singer in 2011, she said she had lost up to 85 lbs in weight following her surgery. In discussing the events in 2011, she has said that her doctor told her, "the surgery that you just had is going to add 15 to 20 more years to your life."
On February 11, 2012, Whitney Houston died in Beverly Hills from unknown causes. Aretha was devastated by her death and said it was "so stunning and unbelievable". She planned to perform at the memorial service on February 18, but her representative claimed that Aretha was suffering from leg spasm and was unable to attend. In response to criticism of her not attending, she said "God knows I wanted to be there, but I just couldn't."
On February 13, 2011, the Grammy Awards paid tribute to Franklin with a medley of her classics by fellow singers Christina Aguilera, Florence Welch, Jennifer Hudson, Martina McBride and Yolanda Adams.
In May 2011, commemorating her 50th anniversary year since the release of her first non-gospel recording, Aretha issued her 38th studio release, A Woman Falling Out of Love, exclusively through WalMart. Franklin recorded two duets with longtime friend, Ronald Isley of The Isley Brothers, recording "The Way We Were" on Aretha's album, while recording "You've Got a Friend" on Isley's record, Mr. I. Later in September, Franklin contributed duet vocals to the Tony Bennett rendition of "How Do You Keep the Music Playing" on his chart-topping Duets II album. Aretha's album, meanwhile, was a critical and commercial failure, peaking at #54. It dropped off of Billboard's album chart after only two weeks and has sold approximately 25,000 copies in the US as of 2012.
On October 16, 2011, Franklin sang "Precious Lord (Take My Hand)" for Dr. Martin Luther King Jr.'s memorial dedication ceremony in Washington, D.C.

In early 2012, it was reported, that Franklin was set to walk down the aisle a third time with her longtime companion Willie Wilkerson. Franklin and Wilkerson had plans to marry in 1987 but later nixed those plans. Within a month after Aretha had announced the wedding this year, she nixed the plans again.
As of 2012, Aretha has reportedly signed with Clive Davis' J Records label and is presently working on a new album for that label.